Detail, the 1797 Sundial Quilt from
the collection of the Victoria and Albert Museum
One of the few block samplers from the era.
The color above seems typical of Gerorgian/Regency quilts.
See the bottom of the post for links to more pictures.
We've been working on the blocks for the Austen Family Album---mainly thinking about color and fabric. Becky, Dustin, Georgann and Bettina are making model blocks.
The block post start on April 6 but you will want to be thinking about fabric.
Detail, the King George III Reviewing the Troops quilt from
the collection of the Victoria and Albert Museum
Detail of the quilt known as the Jane Pizar quilt
The first look is a combination of light muslins ---either white or ivory---print or plain---with chocolate browns and pastel pinks, blues and lilacs. It's a light palette with the madder browns for contrast.
The lightest prints were often called Spotted Muslin.
From Barbara Johnson's fabric album in the collection of the
Victoria and Albert Museum:
See a post I did about Spots here:
http://quilt1812warandpiecing.blogspot.com/2012_07_01_archive.html
King George III Golden Jubilee Quilt, 1810,
collection of the Victoria and Albert Museum
The blues tend to be bright mediums and lights rather than the navy blues also produced with indigo dyes.
As for the pinks---there is a wide range. It's really an
absence of true reds that defines this palette.
Mosaic quilt attributed to Catherine Brobst or Fanny S. B. Jungman,
Pennsylvania. Collection of the Winterthur Museum.
Curators attribute the fabric to England between about 1770 and 1815.
Detail of an English quilt in the collection of
the Metropolitan Museum of Art.
For more pictures of English patchwork see Penny Tucker's Pinterest Page
http://www.pinterest.com/penelopetucker/antique-english-patchwork/
Several years ago I designed a Regency reproduction
line for Moda called Hartfield
Do a web search for the words Hartfield Moda and
you'll find shops and online sellers who still have some
yardage and precut packages.
Next Sunday: more color ideas.
The 1797 Sundial quilt:
http://collections.vam.ac.uk/item/O14716/patchwork-quilt-unknown/
See a post about King George III Reviewing the Troops at the Queensland Art Museum blog:
http://blog.qag.qld.gov.au/popular-prints-and-patchwork-in-18th-19th-century-britain/
More on the Jane Pizar quilt:
http://barbarabrackman.blogspot.com/2012/03/jane-pizar-quilt-how-old.html
An online article about the King George III Jubilee quilt:
http://www.vam.ac.uk/content/journals/research-journal/issue-03/x-radiography-as-a-tool-to-examine-the-making-and-remaking-of-historic-quilts/
The Winterthur's hexagon quilt:
http://museumcollection.winterthur.org/single-record.php?resultsperpage=60&view=catalog&srchtype=advanced&hasImage=&ObjObjectName=&CreOrigin=Pittsburgh&Earliest=&Latest=&CreCreatorLocal_tab=&materialsearch=&ObjObjectID=&ObjCategory=&DesMaterial_tab=&DesTechnique_tab=&AccCreditLineLocal=&CreMarkSignature=&recid=1967.0031&srchfld=&srchtxt=&id=8a16&rownum=1&version=100&src=results-imagelink#.UxNdNtiYZYc
And the Metropolitan Museum's British quilt
http://www.metmuseum.org/collections/search-the-collections/229936?rpp=20&pg=2&ao=on&ft=patchwork&img=2
See Barbara Johnson's fabric album at the Victoria and Albert Museum:
http://collections.vam.ac.uk/item/O140029/album-unknown/
Thank you for the introduction and color info! I'm really looking forward to this project.
ReplyDeleteThis palette looks very soft and feminine. It is very interesting to imagine several color ideas. Looking forward to other combo colors!
ReplyDeleteA bolt caught my eye when I was shopping with friends. I didn't notice until I was getting it cut that it is a Barbara Brackman. It is from the Lately Arrived from London. I got enough for borders, and to use in some of the blocks.
ReplyDeleteDustin, Becky, why do I feel so left out? jealous
ReplyDeletethis looks like a fun follow. thanks for all you ladies do on our behalf.
ReplyDeleteLove each and every one of those quilts, but they're so busy, I have a little pang of saddness when I realize I'll never be able to make one like that, so crammed with little pieces -- there's not enough time in the world. How nice to see the bunch of them together and have those links for more!
ReplyDeleteThis is so inspiring - love the fabrics and the quilts - just my kind of thing! Thanks for another fabulous blog :)
ReplyDeleteHilda
I am very exciting with à new aventure
ReplyDeleteWill you be announcing the block size soon? And also how many will be in the series?
ReplyDeleteI have plenty of bright and darks 19th c repro but not much soft or light. Can't wait to start
Will you be announcing the block size soon? And also how many will be in the series?
ReplyDeleteI have plenty of bright and darks 19th c repro but not much soft or light. Can't wait to start
Hartfield is beautiful....any chance of a re-release?!
ReplyDeleteBobbi
Also, Have a look at the collection that The Quilters' Guild of the British Isles has for colours from that period.
ReplyDeletehttp://www.quiltmuseum.org.uk/collections/
Just type the relevant dates into the search box at the top of the page